Such are the visions which proffer great cornucopias full of fruit to the solitary traveller, or murmur in his ear like sirens lolloping away on the green sea waves, or are dashed in his face like bunches of roses, or rise to the surface like pale faces which fishermen flounder through floods to embrace.

Such are the visions which ceaselessly float up, pace beside, put their faces in front of, the actual thing; often overpowering the solitary traveller and taking away from him the sense of the earth, the wish to return, and giving him for substitute a general peace, as if (so he thinks as he advances down the forest ride) all this fever of living were simplicity itself; and myriads of things merged in one thing; and this figure, made of sky and branches as it is, had risen from the troubled sea (he is elderly, past fifty now) as a shape might be sucked up out of the waves to shower down from her magnificent hands compassion, comprehension, absolution. So, he thinks, may I never go back to the lamplight; to the sitting-room; never finish my book; never knock out my pipe; never ring for Mrs. Turner to clear away; rather let me walk straight on to this great figure, who will, with a toss of her head, mount me on her streamers and let me blow to nothingness with the rest.

Such are the visions. The solitary traveller is soon beyond the wood; and there, coming to the door with shaded eyes, possibly to look for his return, with hands raised, with white apron blowing, is an elderly woman who seems (so powerful is this infirmity) to seek, over a desert, desert a lost son; to search for a rider destroyed; to be the figure of the mother whose sons have been killed in the battles of the world. So, as the solitary traveller advances down the village street where the women stand knitting and the men dig in the garden, the evening seems ominous; the figures still; as if some august fate, known to them, awaited without fear, were about to sweep them into complete annihilation.

Indoors among ordinary things, the cupboard, the table, the window-sill with its geraniums, suddenly the outline of the landlady, bending to remove the cloth, becomes soft with light, an adorable emblem which only the recollection of cold human contacts forbids us to embrace. She takes the marmalade; she shuts it in the cupboard.

“There is nothing more to-night, sir?”

But to whom does the solitary traveller make reply?

So the elderly nurse knitted over the sleeping baby in Regent’s Park. So Peter Walsh snored.

He woke with extreme suddenness, saying to himself, “The death of the soul.”

“Lord, Lord!” he said to himself out loud, stretching and opening his eyes. “The death of the soul.” The words attached themselves to some scene, to some room, to some past he had been dreaming of. It became clearer; the scene, the room, the past he had been dreaming of.

It was at Bourton that summer, early in the ‘nineties, when he was so passionately in love with Clarissa. There were a great many people there, laughing and talking, sitting round a table after tea and the room was bathed in yellow light and full of cigarette smoke. They were talking about a man who had married his housemaid, one of the neighbouring squires, he had forgotten his name. He had married his housemaid, and she had been brought to Bourton to call—an awful visit it had been. She was absurdly over-dressed, “like a cockatoo,” Clarissa had said, imitating her, and she never stopped talking. On and on she went, on and on. Clarissa imitated her. Then somebody said—Sally Seton it was—did it make any real difference to one’s feelings to know that before they’d married she had had a baby? (In those days, in mixed company, it was a bold thing to say.) He could see Clarissa now, turning bright pink; somehow contracting; and saying, “Oh, I shall never be able to speak to her again!” Whereupon the whole party sitting round the tea-table seemed to wobble. It was very uncomfortable.

Three things struggled for possession of my mind: the killing of the curate, the whereabouts of the Martians, and the possible fate of my wife. The former gave me no sensa- tion of horror or remorse to recall; I saw it simply as a thing done, a memory infinitely disagreeable but quite without the quality of remorse. I saw myself then as I see myself now, driven step by step towards that hasty blow, the creature of a sequence of accidents leading inevitably to that. I felt no condemnation; yet the memory, static, unprogressive, haunted me. In the silence of the night, with that sense of the near- ness of God that sometimes comes into the stillness and the darkness, I stood my trial, my only trial, for that moment of wrath and fear. I retraced every step of our conversation from the moment when I had found him crouching beside me, heedless of my thirst, and pointing to the fire and smoke that streamed up from the ruins of Weybridge. We had been incapable of co-operation--grim chance had taken no heed of that. Had I foreseen, I should have left him at Halliford. But I did not foresee; and crime is to foresee and do. And I set this down as I have set all this story down, as it was. There were no witnesses--all these things I might have con- cealed. But I set it down, and the reader must form his judgment as he will.

And when, by an effort, I had set aside that picture of a prostrate body, I faced the problem of the Martians and the fate of my wife. For the former I had no data; I could imagine a hundred things, and so, unhappily, I could for the latter. And suddenly that night became terrible. I found myself sitting up in bed, staring at the dark. I found my- self praying that the Heat-Ray might have suddenly and painlessly struck her out of being. Since the night of my return from Leatherhead I had not prayed. I had uttered prayers, fetish prayers, had prayed as heathens mutter charms when I was in extremity; but now I prayed indeed, plead- ing steadfastly and sanely, face to face with the darkness of God. Strange night! Strangest in this, that so soon as dawn had come, I, who had talked with God, crept out of the house like a rat leaving its hiding place--a creature scarcely larger, an inferior animal, a thing that for any passing whim of our masters might be hunted and killed. Perhaps they also prayed confidently to God. Surely, if we have learned noth- ing else, this war has taught us pity--pity for those witless souls that suffer our dominion.

The morning was bright and fine, and the eastern sky glowed pink, and was fretted with little golden clouds. In the road that runs from the top of Putney Hill to Wimbledon was a number of poor vestiges of the panic torrent that must have poured Londonward on the Sunday night after the fighting began. There was a little two-wheeled cart inscribed with the name of Thomas Lobb, Greengrocer, New Malden, with a smashed wheel and an abandoned tin trunk; there was a straw hat trampled into the now hardened mud, and at the top of West Hill a lot of blood-stained glass about the overturned water trough. My movements were languid, my plans of the vaguest. I had an idea of going to Leatherhead, though I knew that there I had the poorest chance of finding my wife. Certainly, unless death had overtaken them sud- denly, my cousins and she would have fled thence; but it seemed to me I might find or learn there whither the Surrey people had fled. I knew I wanted to find my wife, that my heart ached for her and the world of men, but I had no clear idea how the finding might be done. I was also sharply aware now of my intense loneliness. From the corner I went, under cover of a thicket of trees and bushes, to the edge of Wimbledon Common, stretching wide and far.